About
Naomi André is a professor in the Department of Afroamerican and African Studies, Women's Studies, and the Residential College at the University of Michigan. She received her B.A. from Barnard College and M.A. and Ph.D. from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race in the US, Europe, and South Africa. Her publications include topics on Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) won the Lowens Book Award from the Society for American Music. Her earlier books include Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection). She has edited and contributed to clusters of articles in African Studies and the Journal of the Society for American Music. Currently she is a co-editor for the essay collection African Performance Arts and Political Acts (University of Michigan Press, forthcoming in 2021). She is the inaugural Scholar in Residence at the Seattle Opera.
Current Work
Andre's research focuses on intersectionality and identity in music, with a special emphasis on race and gender. She has written on opera in the West (US and Europe) as well as in Sub-Saharan Africa (South Africa and Senegal). Her work is moving into musical theater, with works including Rent, Miss Saigon, and Hamilton.
Research Area Keyword(s)
gender, identity, Music, Opera, race