About
Robert Adams is a designer and associate professor of architecture at University of Michigan; director of the Master of Science Design and Health program in Taubman College of Architecture and Urban Planning; director of University of Michigan Initiative on Disability Studies; and faculty at the Stamps School of Art & Design. Robert's research and practice connects architecture, civic infrastructure, and urbanism, to design and disability culture where diverse actors, institutions, and responsive environments coalesce. Robert's research draws out the compositional dynamics around the biopolitics of disability as a critical platform for innovation. Recent work includes: Abaton, a pod work-sphere that decompresses high-stress environments to manage cognitive labor and enhance discursive thinking; Post-Compliant Bodies, a collaborative project that develops institutional protocols that leverage the national debate around non-binary genders; and, The Asclepius Machine, an urban prototype for an extreme wheelchair accessible ramp and theatrical apparatus. Robert?s creative works have been exhibited internationally, including House 17: Migrating Shenzhen Scenes, for the 2018 Bi-City Biennial of Urbanism and Architecture ? Shenzhen. Robert is co-founder of B.A.S.E.Beijing, a design research studio in the urban village Cao Chang Di, a nexus of creative industries in China. Robert consults with disability rights organizations in Beijing, Shenzhen, and Mexico City with an emphasis on promoting the active inclusion of disability perspectives regarding the politics of space and urban innovation. Robert identifies as disabled.
Current Work
Robert is currently working on developing a multi-disciplinary platform to advance diversity scholarship by prototyping opportunities that activate distinctive knowledge networks within disability culture. Disability culture embodies complex forms of knowledge production that are intersectional, inventive, and critical to social innovation. Drawing from design thinking, prototyping is the iterative process that mobilizes speculative scenarios from concepts to sustained courses of action. While the global prevalence of disability is increasing, the cohesion of disability culture is disaggregated and precarious. The project prototypes accessible forums for public engagement that connects disability issues and scholarship across the arts, humanities, and sciences. The objective of this project is the commissioning of a Disability Culture Center at University of Michigan.
Research Area Keyword(s)
Architecture, design, disability, Health, Urbanism